Sunday, 13 April 2008

Hair style shoot with vicky






I went to a hair dresses with Vicky Payne because she asked if I would help out with the shoot and assist her. I was more than happy to help out practicing my techniques and the result was good but not brilliant and we both learnt some valuable lessons.

Tuesday, 4 March 2008

Evaluation

The brief has given me chance to explore and experiment with my specialized subject ‘lighting’. At first I wasn’t sure which angle I want to go into, previously in projects I have based my images on portraits or surreal images and heavily editing them because m lighting skills were still building.

Through this project I have experimented a lot with different styles of photography using my lighting kit, wither it is from extreme fast shutter speeds to slow shutter speeds or portraiture to still life. I like to learn new skills or even creating new skills that I can share with other people.

My future plans are to own my business specializing in product advertising and portraiture, so I wanted my work to be based around these two areas (mainly food advertising because I haven’t really explored food photography before and I’d like to practice and learn new traits involved in this style of ). I started by researching current photographers and I tried to visual learn how they took the shots using my knowledge of photography. After getting inspiration and creative I just decided to do photography using ‘water splash’ with some kind of food or product or even a waterproof product. My main aim was to capture a split section of time that showed the beauty of real life and how time would look so much better if we could slow these times down willingly.

At the start of the module Adam, Philip and myself all wanted to practice product lighting and the result to the images are positive, good lighting, strong focus on the product and creative angles. The downfall to this is that I felt I was doing all the work and wanted a totally different vision to be produced to the other members in the group, from this I learnt that it would be easier to work by myself and come together at the end as a group because are interests are different and we all are equal photographers so we didn’t have authority over anyone else (this is were a paid assistant would undertake my demands). Also I feel more comfortable working by myself because then I know were every thing is on the shoot and I learn all the aspects to taking the shot.

With the equipment and knowledge I have of this style of photography I believe my images have work really well, I have generated something to the best of my abilities. I have explored different objects in the water ranging from eggs to oranges and captured a moment in time that shows the beauty of water in a motionless state. This was definitely a new style of shoot to me and I would like to carry on with this in ‘test’ shoot in my own time.

I wanted to keep advances on my portraiture capabilities since I was learning more and more on the value of light and how it can be used to create totally different images when used correctly. As I have said I didn’t want to use these images because firstly I was so impressed by the water shots I didn’t want to use the portraits as I have done before. I believe my skills are improving every time I do a shoot wither it is leaning a new fact, tip or learning how to put a new or different piece of equipment up – I gained a lot from jut experimenting with new lighting styles.

If I had to chose a final product out of the three it would be the image with the three oranges submerged in the water purely because It is simple, attractive, eye catching and has a calm relaxed feeling to it, which I would like to portray to my clients – for example that I have talent in photography but I also know how to generate feeling and emotion behind a shot.

I had no real problems in this brief except space to set up my equipment but I had so many opportunities that this problem never arose. I have enjoyed the independence that came with this project and thrived when working by myself.

Monday, 3 March 2008

My Three Final images edited into A5 Flyers



My Three chosen images



Bring everything together

Now i have worked though my two main topics of photography, both aiming at commercial advertising. Food photography and Portraiture ( slightly Fashion portraiture).

Realizing I have enjoyed taking all these image and learning new skills o the way. My ultimate achievement was capturing the water splashers . I surprised myself and really enjoyed doing it.

My three final images are above. Iv left my portraiture out because even though my own business idea consists of portraits and food photography ( business after FD photography coarse) i thought mixing the two would make it messy and distract each other.

Friday, 29 February 2008

Cost - Expenses

Photography equipment hire ( if it wasn't my own)

Flash center.

  • Lights Elechrome daily £13.00 or weekly £45.50 with a deposit of £450.o X2
  • Elinchrom Rotalux 70x70cm, daily £9.00 or weekly £35.00- deposit £70
  • Sekonic L308 Flash Meter, daily£8.00 or weekly £28.00 - deposit £50.00
  • Camera Tripod, daily £8.00, or weekly £28.00 - deposit £50.00
Fish tank (glass) - £10

camera hire (depending on make) - D70 - Weekly £70

Fuel - £30

fruit - under £5

Model ( if paid for ) - £ 60 - £100 an hour

Thursday, 28 February 2008

Artist Research - Barry Mccall


For fashion photography and advertising photography, Barry McCall is in a class of his own. His fashion photos from the top magazines, advertising features, and editorial photo shoots capture the mood and style of today's fashion designers.

His advertising photography features constantly on Ireland's billboards. View his advertising photography work for clients, such as Bentley, Diet Coke, and Conde Nast and see why Barry McCall is the sought after advertising photograher in Ireland.

Wednesday, 27 February 2008

kirsteen


0
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

kirsteen


6
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

Small element in this shot:

The figure is looking towards the glitter that I flew up in the air. I added great effect, but because the background is so busy the focus ad glitter is merged in making it harder to see. I would like to retake this shot using glitter with a black background and maybe a fake moon creating my own landscape.

kirsteen


5
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

kirsteen


2
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

kirsteen


7
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

kirsteen

kirsteen close up


1
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

harvey30887-portfolio.blogspot.com/2008/02/final-of-model...

This shot is similar to the shot on the link above.

This shot consisted of one light directed to the right of the figures face and a large white board on the left pointing directly at her. I wanted to create maximum detail to her face canceling out deep shadows that would loose detail i wanted to gain.

Personally i believe this shot works really well, it gives no room to let the eye wonder, it is paced in front of you as a simple creative portrait and it has the eye catching element i want because of the warm colour tones and her eyes glaring right back at you reminding me of the portrait of Mona Lisa just contemporary.

processing the image:

-heightened the colour to warm it up and more eye catching colours.
- air brushed the whole face to blend the make up and skin tones, to add it more of a model shoot style of photograph.
- i left some of the models details in to add more natural elements such as: strands of loose hairs, some bumps in the skin, some colour corrections .

kirsteen


kirsteen shoot-73
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

- I like the cold and stony ascetic that this shot portrays, it makes you feel the expression of the model and how she feels, with both the expression and pose of the figure suggests upset,cold,secluded,abandoned and helpless.

re-shooting this shot i would add more light to the textures around the figures feet or actually i would hire another light out and direct this towards the objects surrounding her feet.

Artist Research - charlie troman





























The sets and venues are similar to mine I wish i saw these before i took my shoot with kirsteen. her shot have given me some ideas how to light the background. The advantage to her shoot she had a window to work with and bring more light in.

The posers really work well with her style of photography and use of textured ventures.

Tuesday, 26 February 2008

kirsteen


kirsteen shoot-137-Edit
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

one light was used in this shot and i wanted to spot light the model between the two pillars but i didn't want to leave it with harsh light behind the figure. To do this shot ideally i need a 'snoot' but with the lack of this equipment to hand, so instead i used a worn down old beer box cellotaped to the light.

The spot light worked so well, adds a vinette that centres your eye to the model and adds a more dramtical feeling t the overall image.

The dingy worn down walls add loads of texture but also makes the model look more beautiful contrasting her to the background.

I wanted the models expression to be more extreme to the others, i wanted to make it look like she was trapped and she couldn't get out. The expressin works well but i think te expression on the previous image works alot better because the eyes seem to draw to he figure.

kirsteen


kirsteen shoot-135-Edit_pp
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

one light was used in this shot and i wanted to spot light the model between the two pillars but i didn't want to leave it with harsh light behind the figure. To do this shot ideally i need a 'snoot' but with the lack of this equipment to hand, so instead i used a worn down old beer box cellotaped to the light.

The spot light worked so well, adds a vinette that centres your eye to the model and adds a more dramtical feeling t the overall image.

The dingy worn down walls add loads of texture but also makes the model look more beautiful contrasting her to the background.

I asked the model to look expression-less because i wanted her to look doll like and moody so she would have some relationship with the background (venue).

flickr comments on this images:

view profile

Leah Makin Photography Pro User says:

Kirsteen makes a great model, love this set!
Posted 2 days ago. ( permalink | delete )

view profile

Zebulon 2005 Pro User says:

Very interesting, and super nice with te shadow at the bottom, ads something, score 8/10
Posted 24 hours ago. ( permalink | delete )

view profile

Quasebart Pro User says:

that's a very pretty picture.
just one point - the lines aren't straight
Posted 24 hours ago. ( permalink | delete )

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harvey30887 says:

walls ant straight not much i can do bowt that
Posted 24 hours ago. ( permalink | delete | edit )

view profile

cassiusjb Pro User says:

Score 10/10 from the Rate My Portrait group: #1
Pretty artsy
Posted 21 hours ago. ( permalink | delete )

view profile

sandyhutton Pro User says:

very fashion, technically sound, although the model's eyes seem lifeless

Score 5/10 from the Rate My Portrait group: #4
Posted 20 hours ago. ( permalink | delete )

view profile

americassign says:

The background allows for strong attention to the object and enhances her mood. 7/10
Posted 18 hours ago. ( permalink | delete )

view profile

ttworek2001 Pro User says:

Score 7/10 from the Rate My Portrait group: #1
Posted 17 hours ago. ( permalink | delete )

Monday, 25 February 2008

kirsteen portrait


kirsteen shoot-38-Edit
Originally uploaded by harvey30887
Location : basement of the models house, shown below.

model : Kirsteen Leask
Assistant: Charlote Walsh
Photographer : Christopher Harvey

Trying to perfect my portrait skills and adding more dramtic feactures.
The hardest thing with this shoot was the location it was damp, rotting away and had only one power supply.
I had two lights to work with and lots of white mount board. The previous day we had a photographer come into college and show us how to work with the lights and using reflectors, he generated a well lit images, from this i was really inspired to do the same and i asked Charlotte Walsh to be my assistant and help holding the card to reduce deep shadows in some shots.

This shot was created usngi one light to the right hand side of the models face and lit the background with a snoot.

If i did this shoot again id have a spot light just lighting the back of the figures hair so she would stand out slightly from the background.

Overall im really pleased with the result, the blended eye shadow looks good and the figure stands out from the dingy background making here the key element in this shot.

key light was set to , F2.4 background light f3
Exposure : 1/125 sec t F/8.0
Focal length : 55 mm
Nikon D70
Lens: 18.0 - 55,0 mm

venue shots


kirsteen shoot-3
Originally uploaded by harvey30887

venue shots


kirsteen shoot-9
Originally uploaded by harvey30887

venue shots


kirsteen shoot-5
Originally uploaded by harvey30887

venue shots


kirsteen shoot-6
Originally uploaded by harvey30887

venue shots


kirsteen shoot-4
Originally uploaded by harvey30887

kirsteen shoot-7


kirsteen shoot-7
Originally uploaded by harvey30887

venue shot


kirsteen shoot-2
Originally uploaded by harvey30887

venue shot


kirsteen shoot-10
Originally uploaded by harvey30887